Robert Smithson is credited with pioneering Land Art and coining the term in the 1960s.

Spiral Jetty, constructed by Robert Smithson in 1970, is an iconic example of Land Art.

Double Negative, created in 1969, features two parallel trenches cut into the Nevada desert, creating an illusion of endlessness.

Sun Tunnels, constructed by Nancy Holt in 1973-76, consists of four large concrete tunnels aligned with the sunrise and sunset on the solstices.

Lightning Field, created in 1977, is located in New Mexico and features a grid of stainless steel spheres that attract lightning strikes.

Roden Crater, conceived by James Turrell, is an ongoing project that aims to transform a volcanic crater into a large-scale artwork.

Land Art emerged as a reaction against the limitations of traditional art forms and the commercialization of the art world.

Land Art often addressed environmental concerns, such as pollution, deforestation, and climate change, raising awareness about these issues among viewers.

7000 Oaks, created by Joseph Beuys in 1982, was intended to promote environmental awareness and regeneration.

Land Art had a profound impact on the art world, challenging conventions, promoting new forms of artistic expression, and raising awareness about environmental and social issues.

Land Art's legacy can be seen in the rise of installation art, site-specific works, and the increasing focus on sustainability and audience participation in contemporary art.

Long Lines, created by Richard Long in 1986, consists of a series of parallel lines carved into the chalk cliffs of Dorset, England.

The Gates, installed in 2005, created a vibrant and immersive experience for visitors to Central Park.

The Cross, created by Michael Heizer in 1998, is a massive earthwork that spans over 30 acres in the Nevada desert.

Land Art's emphasis on the concept, its use of non-traditional materials, and its engagement with social and political issues contributed to the development of conceptual art.