In "The Waste Land," Eliot weaves together sacred and profane imagery to depict the spiritual desolation and moral decay of modern society. The juxtaposition of these elements emphasizes the loss of faith and the erosion of traditional values, leaving individuals adrift in a fragmented and meaningless world.

In "Crime and Punishment," Dostoevsky explores the tension between the sacred and the profane through Raskolnikov's character. Raskolnikov's inner conflict stems from his desire for power and his moral conscience, which is represented by his religious beliefs. This tension drives his actions and leads him to commit the crime, as he attempts to reconcile his spiritual and worldly desires.

In "Ulysses," Joyce uses Leopold Bloom as a vehicle to explore the complex relationship between the sacred and the profane in modern urban life. Bloom's experiences throughout the day reflect the fragmented and chaotic nature of Dublin, where the sacred and the profane are intertwined and often indistinguishable.

In "Midnight's Children," Rushdie blends the sacred and the profane to create a magical realism that permeates the narrative. This interplay adds a sense of wonder and enchantment to the story, even as it delves into the historical and political turmoil of postcolonial India. The magical elements provide a counterpoint to the harsh realities of the world, offering a glimpse of the extraordinary amidst the ordinary.

In "One Hundred Years of Solitude," Márquez explores the complex relationship between the sacred and the profane through the character of Úrsula Iguarán. Úrsula's strong religious beliefs are juxtaposed with her practical nature and her ability to navigate the challenges of the world. This tension adds depth to her character and reflects the broader themes of the novel, which delves into the cyclical nature of life, the power of family, and the interplay between the spiritual and the mundane.