The Patiala Gharana is renowned for its intricate rhythmic patterns, fast-paced compositions, and the use of 'sargams' (vocal exercises) to create melodic variations.

The Kirana Gharana is known for its emphasis on emotional expression, the use of 'meends' (glides) and 'gamaks' (ornamentations), and the exploration of various 'ragas' (melodic structures).

The Gwalior Gharana is known for its emphasis on 'vilambit khayals' (slow-paced compositions), the use of 'alap' (unmetered improvisation), and the exploration of various 'ragas' (melodic structures).

The Agra Gharana is known for its emphasis on 'thumris' (semi-classical compositions) and 'dadras' (fast-paced compositions), as well as its use of 'bol-banav' (rhythmic variations).

The Kirana Gharana has had a significant influence on the development of Carnatic music in South India, particularly in terms of vocal techniques, melodic structures, and the use of 'alap' (unmetered improvisation).

All of the mentioned Gharanas have influenced the development of Hindustani classical music in North India, each contributing unique characteristics and techniques to the genre.

The Patiala Gharana is known for its emphasis on 'tarana' (fast-paced compositions with intricate rhythmic patterns), which showcase the vocalist's technical prowess and ability to handle complex rhythmic structures.

The Agra Gharana is known for its emphasis on 'bhajan' (devotional songs) and 'qawwali' (Sufi devotional music), which showcase the vocalist's ability to convey spiritual emotions and connect with the audience.

All of the mentioned Gharanas have influenced the development of contemporary Indian pop and film music, as many popular singers and musicians have trained under these Gharanas, incorporating elements of classical music into their compositions.

The Gwalior Gharana is known for its emphasis on 'dhrupad' (a traditional form of Hindustani classical music), which is characterized by its slow tempo, deep emotional expression, and intricate rhythmic patterns.

The Kirana Gharana is known for its emphasis on 'khyal' (a form of Hindustani classical music characterized by its fast tempo and intricate melodic structures), which showcase the vocalist's technical prowess and ability to handle complex melodic passages.

All of the mentioned Gharanas emphasize the importance of 'raga' (melodic structure) and 'tala' (rhythmic cycle), as these elements are fundamental to the structure and performance of Hindustani classical music.

The Patiala Gharana is known for its emphasis on 'layakari' (rhythmic virtuosity) and 'bol-banav' (rhythmic variations), which showcase the vocalist's ability to handle complex rhythmic patterns and create intricate rhythmic variations.

The Kirana Gharana is known for its emphasis on 'taans' (rapid melodic passages) and 'sargams' (vocal exercises), which showcase the vocalist's technical prowess and ability to handle complex melodic passages.

The Agra Gharana is known for its emphasis on 'gayaki' (vocal style) and 'abhinaya' (expression), which showcase the vocalist's ability to convey emotions and connect with the audience through their performance.