Absurdism emerged as a response to the disillusionment and uncertainty following World War II.

Camus's works, such as 'The Stranger' and 'The Plague,' explore the themes of absurdity and the search for meaning in an indifferent universe.

Absurdist protagonists often feel disconnected from society and struggle to find purpose in their existence.

Absurdist literature often explores the idea that human existence is ultimately meaningless and devoid of inherent purpose.

Absurdist characters often behave in ways that defy conventional logic and rationality, reflecting the unpredictable nature of existence.

Kafka's 'The Trial' exemplifies absurdist literature with its portrayal of a protagonist facing an incomprehensible legal system and an inexplicable trial.

Absurdist literature frequently uses symbolism and allegory to convey complex ideas and explore the absurdity of existence.

Absurdist drama often employs techniques like breaking the fourth wall to challenge conventional notions of reality and engage the audience directly.

Absurdist literature often uses language to create a sense of ambiguity and uncertainty, reflecting the unpredictable and irrational nature of existence.

The disillusionment and uncertainty following World War II contributed to the rise of absurdism as a literary movement.

Absurdist poetry often explores the futility of human existence and the search for meaning in a seemingly meaningless world.

Absurdist characters often experience a sense of alienation and isolation, reflecting the individual's struggle to find meaning in an indifferent universe.

Beckett's 'Waiting for Godot' is a classic example of absurdist drama, presenting a seemingly endless and meaningless wait for a character named Godot.

Absurdist literature often utilizes fantastical and surreal settings to emphasize the absurdity and irrationality of existence.

Absurdist literature challenges traditional literary conventions, questions the authority of religious institutions, and critiques the importance of social norms.