Byzantine art is known for its stylized and symbolic representation of figures, rather than a naturalistic approach to anatomy.

Iconoclasm refers specifically to the deliberate destruction of religious images, often due to theological or political reasons.

The Battle of the Sexes is not a typical theme in medieval religious art, which often focused on biblical narratives and the life of Christ.

Profane art refers to the use of religious imagery in non-religious contexts, often for decorative or artistic purposes.

Salvador Dali is known for incorporating religious symbolism and imagery into his surrealist works, often exploring themes of spirituality and the subconscious.

Devotional art is created with the intention of inspiring religious devotion or contemplation, often depicting sacred figures or scenes.

The Battle of the Centaurs and Lapiths is a mythological theme from Greek mythology, not typically found in Renaissance religious art.

Blasphemous art is created with the intention of offending or insulting religious beliefs or practices.

Andy Warhol is known for incorporating religious imagery and symbolism into his pop art works, often exploring themes of consumerism and celebrity culture.

Spiritual art is created with the intention of exploring spiritual or religious themes, often through abstract or non-representational forms.

The Rape of the Daughters of Leucippus is a mythological theme from Greek mythology, not typically found in Baroque religious art.

Political art is created with the intention of promoting political or social causes, often through symbolic or allegorical imagery.

Mark Rothko is known for his use of color and form to explore spiritual and religious themes in his abstract expressionist paintings.

Art and religion studies is an academic field that explores the relationship between art and religion, examining how art can express religious beliefs and practices.

The Battle of the Amazons is a mythological theme from Greek mythology, not typically found in contemporary religious art.