The set designer's primary responsibility is to create the visual environment of the film, which includes designing and constructing the sets, selecting props and furniture, and working with the lighting and camera crew to create the desired atmosphere.

Abstract sets are not as common in Indian cinema as realistic, stylized, and minimalist sets. Abstract sets are often used in experimental or art films, but they are not as widely used in mainstream Indian cinema.

Production design is the term used to describe the overall visual style of a film's sets, costumes, props, and lighting. It is the responsibility of the production designer to create a cohesive and visually appealing look for the film.

Movement is not as common an element of set design in Indian cinema as color, texture, and shape. Movement is often used in experimental or art films, but it is not as widely used in mainstream Indian cinema.

Pre-production is the term used for the process of creating a set design. This includes the research, planning, and construction of the sets.

Glass is not as common a material used in set design in Indian cinema as wood, metal, and plastic. Glass is often used in experimental or art films, but it is not as widely used in mainstream Indian cinema.

The set decorator is the person who is responsible for the construction of the sets. This includes the painting, wallpapering, and furnishing of the sets.

Green screen is not as common a technique used in set design in Indian cinema as trompe l'oeil, forced perspective, and matte painting. Green screen is often used in experimental or art films, but it is not as widely used in mainstream Indian cinema.

The costume designer is the person who is responsible for the design of the costumes. This includes the selection of fabrics, colors, and styles of the costumes.

Fantasy costumes are not as common in Indian cinema as traditional, contemporary, and historical costumes. Fantasy costumes are often used in experimental or art films, but they are not as widely used in mainstream Indian cinema.

The prop master is the person who is responsible for the design of the props. This includes the selection, construction, and placement of the props.

Animals are not as common a type of prop used in Indian cinema as furniture, weapons, and vehicles. Animals are often used in experimental or art films, but they are not as widely used in mainstream Indian cinema.

The lighting designer is the person who is responsible for the design of the lighting. This includes the selection of the lighting fixtures, the placement of the lights, and the color and intensity of the light.

Colored light is not as common a type of lighting used in Indian cinema as natural light, artificial light, and mixed light. Colored light is often used in experimental or art films, but it is not as widely used in mainstream Indian cinema.

The sound designer is the person who is responsible for the design of the sound. This includes the selection of the sound effects, the placement of the microphones, and the mixing of the sound.