The 'matla' serves as the opening couplet of a ghazal and is crucial in setting the tone and introducing the central theme or idea that the poet intends to explore throughout the ghazal.

The 'radif' is a distinctive feature of ghazals, where a word or phrase is repeated at the end of each line, contributing to the rhythmic and melodic flow of the composition.

The 'qafia' in ghazals pertains to the rhyme scheme that is consistently used throughout the composition. It contributes to the musicality and rhythmic structure of the ghazal.

The 'antara' section of a ghazal typically introduces a new theme or idea and explores it in greater detail. It does not involve the repetition of the 'radif', which is a characteristic feature of the 'matla' and 'maqta'.

The 'maqta' serves as the concluding couplet of a ghazal and typically includes the poet's signature or 'takhallus', revealing their identity. It also often provides a sense of closure or resolution to the themes explored throughout the ghazal.

While ghazals often delve into themes of love, longing, nature, and philosophical contemplations, political commentary is generally not a common subject matter in this genre of poetry.

The 'sher' in ghazals refers to the individual couplets that collectively form the composition. Each 'sher' is a self-contained unit that contributes to the overall narrative and thematic development of the ghazal.

Ghazals are typically performed by a solo vocalist, accompanied by a stringed instrument like the sitar. They are not typically performed in a group setting, unlike some other genres of Indian music.

The 'ibtida' in ghazals serves to establish the rhyme scheme and meter that will be consistently used throughout the composition. It sets the foundation for the rhythmic and melodic structure of the ghazal.

Carnatic ghazal is not a prominent form of ghazal in Indian music. Ghazals are primarily associated with Hindustani classical music, and regional variations such as Punjabi and Kashmiri ghazals are also notable.

The 'takhallus' in ghazals refers to the poet's signature or pen name. It is typically included in the 'maqta', the concluding couplet of the ghazal, as a way for the poet to identify themselves and establish their authorship.

The 'matla' section of a ghazal typically introduces the main theme or idea of the composition and establishes the rhyme scheme and meter. It does not involve a change in rhyme scheme, which is more commonly found in the 'antara' section.

The 'antara' section of a ghazal serves to explore new themes or ideas that are related to the main theme introduced in the 'matla'. It provides an opportunity for the poet to delve deeper into various aspects of the central concept and express their emotions and thoughts.

Ghazals are typically performed by a solo vocalist, accompanied by a stringed instrument like the sitar. They are not typically performed in a group setting, unlike some other genres of Indian music.

The 'ibtida' in ghazals serves to establish the rhyme scheme and meter that will be consistently used throughout the composition. It sets the foundation for the rhythmic and melodic structure of the ghazal.