Purandara Dasa is widely regarded as the father of Carnatic music due to his significant contributions to the development of the genre, including the standardization of ragas and talas, and the composition of numerous kritis.

The Carnatic music trinity refers to the three most influential composers of the genre: Thyagaraja, Muthuswami Dikshitar, and Shyama Shastri.

Carnatic music is characterized by the use of shrutis (microtones), the emphasis on improvisation, and the use of gamakas (ornamentations).

Kutcheri is the term used to refer to a Carnatic music concert.

Kritis, varnams, padams, and javalis are all types of Carnatic music compositions.

Melakarta is the name of the Carnatic music scale, which consists of 72 scales.

Adi tala, rupak tala, triputa tala, and matya tala are all types of Carnatic music talas.

Violin is the Carnatic music instrument that is played with a bow.

Mridangam, ghatam, and kanjira are all types of Carnatic music percussion instruments.

The Chennai December Season, Madras Music Season, and Margazhi Music Season are all names for the Carnatic music festival that is held in Chennai every year.

T.M. Krishna, Bombay Jayashri, and Aruna Sairam are all contemporary Carnatic musicians.

Syama Sastri did not found any Carnatic music institution.

Jagadananda Karaka, Endaro Mahanubhavulu, and Koluvaiyunnade are all Carnatic music kritis composed by Thyagaraja.

Adi tala is the Carnatic music tala that is used in the composition of varnams.

Kalyani, Bhairavi, and Todi are all Carnatic music ragas that are known for their emotional depth.