Bharata Muni is credited with authoring the Natyashastra, a seminal text on dramaturgy and aesthetics, which laid the foundation for Indian aesthetics.

Rasa is a central concept in Indian aesthetics that refers to the emotional experience or aesthetic enjoyment derived from a work of art.

In Indian aesthetics, beauty is often associated with qualities such as symmetry, clarity, harmony, and proportion.

The Mimamsa school of Indian philosophy places great importance on the study of language and its role in understanding the Vedas, the sacred texts of Hinduism.

Dhvani is a concept in Indian aesthetics that refers to the use of language to suggest or imply meaning beyond the literal sense of the words.

Bhartrihari, a renowned Indian philosopher, propounded the theory of sphota, which suggests that words possess an inherent power to reveal meaning.

Alankara refers to the use of figurative language and rhetorical devices in Indian aesthetics to enhance the beauty and expressiveness of a literary work.

Anandavardhana, a prominent Indian philosopher, proposed that the beauty of a literary work lies in its capacity to evoke surprise and wonder in the reader.

Rasa is the term used in Indian aesthetics to describe the quality of a literary work that creates a sense of delight and satisfaction in the reader.

Kunti Madhava, an Indian philosopher and literary theorist, proposed the theory of vakrokti, which emphasizes the use of indirect and suggestive language in poetry.

Dhvani is the term used in Indian aesthetics to describe the use of language that is both beautiful and meaningful.

Bhartrihari, an Indian philosopher and grammarian, argued that the primary function of language is to express emotions and sentiments.

Sphota is the term used in Indian aesthetics to describe the use of language that is both clear and concise.

Anandavardhana, an Indian philosopher and literary theorist, proposed the theory of rasa-dhvani, which posits that the primary function of poetry is to evoke aesthetic emotions in the reader.

Dhvani is the term used in Indian aesthetics to describe the use of language that is both beautiful and meaningful.