Dogme 95 is a filmmaking movement that originated in Denmark in the 1990s. It is characterized by its use of handheld cameras, natural lighting, and long takes.

The Japanese New Wave was a film movement that emerged in Japan in the 1950s and 1960s. It is characterized by its use of unconventional narrative structures, non-professional actors, and a focus on social and political issues.

Satyajit Ray is an Indian film director, screenwriter, and producer. He is known for his distinct style of cinematography, often characterized by long takes and vibrant colors.

The Iranian New Wave is a film movement that emerged in Iran in the 1960s and 1970s. It is characterized by its use of social realism, political allegory, and a focus on the lives of ordinary people.

Cinema Novo is a film movement that emerged in Brazil in the 1960s. It is characterized by its use of non-professional actors, location shooting, and a focus on social and political issues.

The French New Wave is a film movement that emerged in France in the 1950s and 1960s. It is characterized by its use of unconventional narrative structures, non-professional actors, and a focus on social and political issues.

Federico Fellini is an Italian film director, screenwriter, and producer. He is known for his distinct style of cinematography, often characterized by long takes and elaborate camera movements.

New German Cinema is a film movement that emerged in Germany in the 1960s and 1970s. It is characterized by its use of unconventional narrative structures, non-professional actors, and a focus on social and political issues.

Free Cinema is a film movement that emerged in the United Kingdom in the 1950s. It is characterized by its use of location shooting, non-professional actors, and a focus on social and political issues.

The Polish Film School is a film movement that emerged in Poland in the 1950s and 1960s. It is characterized by its use of unconventional narrative structures, non-professional actors, and a focus on social and political issues.

Cinema Verite is a film movement that emerged in France in the 1950s. It is characterized by its use of handheld cameras, natural lighting, and a focus on real-life events.

Soviet Montage is a film movement that emerged in the Soviet Union in the 1920s and 1930s. It is characterized by its use of rapid editing, multiple camera angles, and a focus on social and political issues.

Magic Realism is a film movement that emerged in Mexico in the 1950s. It is characterized by its use of magical elements in a realistic setting.

The Fifth Generation is a film movement that emerged in China in the 1980s and 1990s. It is characterized by its use of unconventional narrative structures, non-professional actors, and a focus on social and political issues.

Nollywood is a film movement that emerged in Nigeria in the 1990s. It is characterized by its use of low-budget productions, local actors, and a focus on popular culture.