Dance criticism is a form of writing that provides an objective evaluation of a dance performance. The critic's goal is to help the reader understand the work and to make an informed judgment about its quality.

The three main types of dance criticism are descriptive, analytical, and evaluative. Descriptive criticism simply describes the dance performance, while analytical criticism analyzes the elements of the dance, such as the choreography, the music, and the dancers. Evaluative criticism judges the quality of the dance performance.

Dance critics typically analyze all of the elements of dance, including the choreography, the music, the dancers, the theme, the plot, the characters, the setting, the lighting, and the costumes.

The role of the dance critic is to provide an objective evaluation of a dance performance, to promote a particular dance company or choreographer, and to educate the public about dance.

Dance critics face a number of challenges, including the subjectivity of dance, the lack of a common vocabulary for describing dance, and the difficulty of capturing the essence of a live performance in writing.

Dance critics should keep in mind a number of ethical considerations, including being fair and objective in their evaluations, avoiding personal attacks on the dancers or choreographers, and respecting the privacy of the dancers and choreographers.

Dance criticism can be used to help dancers and choreographers improve their work, to educate the public about dance, and to promote dance as an art form.

The most important qualities of a good dance critic include knowledge of dance history and theory, strong writing skills, and a critical eye.

Some of the most common criticisms that dance critics make include the choreography being unoriginal, the dancers not being technically proficient, and the music not being appropriate for the dance.

Dance critics can help to promote dance as an art form by writing positive reviews of dance performances, by educating the public about dance, and by advocating for dance funding.

Dance critics face a number of challenges in writing about contemporary dance, including the lack of a common vocabulary for describing contemporary dance, the difficulty of capturing the essence of a live contemporary dance performance in writing, and the subjectivity of contemporary dance.

Dance critics can help to bridge the gap between contemporary dance and the general public by writing clear and accessible reviews of contemporary dance performances, by educating the public about contemporary dance, and by advocating for contemporary dance funding.

The most important qualities of a good contemporary dance critic include knowledge of contemporary dance history and theory, strong writing skills, and a critical eye.

Some of the most common criticisms that contemporary dance critics make include the choreography being too abstract, the dancers not being technically proficient, and the music not being appropriate for the dance.

Contemporary dance critics can help to promote contemporary dance as an art form by writing positive reviews of contemporary dance performances, by educating the public about contemporary dance, and by advocating for contemporary dance funding.