Bharata Muni, the renowned sage and author of the Sanskrit treatise 'Natya Shastra', is widely regarded as the father of Indian literary theory.

Bharata Muni's theory of drama revolves around the concept of 'Rasa', which refers to the aesthetic experience or emotional response evoked in the audience through the performance.

Bharata Muni identified eight Rasas, including Shringara, Hasya, Raudra, Karuna, Veera, Bhayanaka, Bibhatsa, and Shanta. Adbhuta is not among the traditional eight Rasas.

Sanskrit poetics, also known as 'Alankara Shastra', primarily aims to analyze and appreciate the beauty and artistry of literary expression, with the ultimate goal of evoking aesthetic pleasure in the reader or listener.

Alliteration, the repetition of initial consonant sounds in a series of words or phrases, is a commonly used Alankara in Sanskrit poetry.

The concept of 'Dhvani' in Indian literary theory delves into the suggestive or implied meaning, exploring the nuances and layers of significance beyond the literal words.

Anandavardhana, a renowned Indian literary theorist, introduced the concept of 'Vakrokti', which emphasizes the use of indirect, suggestive, and figurative language to convey deeper meanings.

The theory of 'Riti' in Indian poetics focuses on the use of ornate and embellished language, employing various figures of speech and rhetorical devices to create a heightened aesthetic experience.

Abhinavagupta, a prominent Indian literary theorist, explored the concept of 'Alaukika Rasa', which refers to the aesthetic experience derived from supernatural or transcendental elements in literature.

The concept of 'Anumana' in Indian literary theory highlights the role of logical reasoning and inference in understanding and interpreting literary texts.

Jagannatha, a renowned Indian literary theorist, is known for his work on 'Sahitya Mimamsa', which explores the principles and methodologies of literary criticism.

The theory of 'Rasa Dhvani' emphasizes the use of figurative language and suggestive techniques to indirectly evoke emotions in the reader, rather than explicitly stating them.

Bhatta Nayaka, a prominent Indian literary theorist, explored the concept of 'Vakya Shakti', which delves into the meaning and interpretation of sentences in literary texts.

The concept of 'Alamkara Shastra' in Indian literary theory focuses on the analysis and appreciation of figurative language and rhetorical devices employed in literary texts.

Abhinavagupta, a renowned Indian literary theorist, is known for his work on 'Rasa Siddhanta', which explores the nature and mechanisms of aesthetic experience in literature.