Ghazals are predominantly composed in Urdu, a language known for its rich vocabulary and expressive nature, which lends itself beautifully to the genre's poetic style.

Ghazals are characterized by their distinct structure, consisting of a series of couplets, each with its own independent theme. Unlike Western music, Ghazals do not typically employ a chorus or refrain that repeats throughout the song.

The Sarangi, a bowed string instrument, is often used to accompany Ghazals. Its plaintive and melancholic sound adds depth and emotion to the performance.

Mirza Ghalib, a legendary Urdu poet, is widely regarded as one of the greatest masters of the Ghazal. His profound and evocative verses continue to inspire and captivate audiences to this day.

Ghazals frequently delve into the complexities of love, exploring its various facets, from longing and desire to heartbreak and separation. The genre provides a platform for poets to express their innermost emotions and experiences of love.

Ghazals are composed of rhyming couplets, where the second line of each couplet rhymes with the first line of the next couplet. This rhyming scheme contributes to the genre's distinct musicality and flow.

The Makta is the final couplet of a Ghazal, where the poet typically reveals their identity or expresses a personal reflection. It serves as a signature, allowing the audience to recognize the poet's work.

While Ghazals often explore themes of love, loss, and longing, humor is generally not a prevalent theme in the genre. Ghazals are known for their depth of emotion and introspective nature, rather than their comedic elements.

Ghazals are typically performed at a moderate tempo, allowing the lyrics and melody to unfold gracefully. The tempo is chosen to complement the reflective and contemplative nature of the genre.

Ragas, melodic frameworks used in Indian classical music, play a significant role in Ghazals. The choice of Raga influences the mood and atmosphere of the performance, adding depth and complexity to the music.

Alaap is an improvisational section in a Ghazal performance where the vocalist explores the nuances of the Raga, showcasing their vocal prowess and creativity. It serves as an introduction to the main composition and sets the tone for the rest of the performance.

While the Sitar, Tabla, and Sarangi are traditional instruments associated with Ghazals, the Guitar is not typically used in a Ghazal ensemble. The Sitar and Sarangi provide the melodic and rhythmic foundation, while the Tabla adds percussive accompaniment.

Rukn refers to the repetition of a line or phrase in a Ghazal. It is a technique used to emphasize certain words or ideas and create a sense of continuity within the composition.

Metaphors are extensively used in Ghazal poetry to create vivid imagery and convey complex emotions. Poets employ metaphors to draw parallels between seemingly unrelated things, adding depth and symbolism to their verses.

Matla refers to the opening couplet of a Ghazal, which serves as an introduction to the theme and mood of the composition. It is often considered the most important couplet in the Ghazal, as it sets the tone for the rest of the performance.