The Stanislavski System, developed by Konstantin Stanislavski, focuses on the actor's inner life and emotional connection to the character and the play's circumstances.

Viewpoints, developed by Anne Bogart and Tina Landau, encourages actors to explore the physical and emotional aspects of a character through improvisation and movement.

The Lecoq Method, developed by Jacques Lecoq, emphasizes the actor's use of voice, body, and imagination to create a vivid and believable character.

Method Acting, popularized by Lee Strasberg, encourages actors to find the truth and authenticity of a character through personal experiences and emotions.

The Suzuki Method, developed by Tadashi Suzuki, emphasizes the actor's ability to create a character's physicality and movement through detailed observation and imitation.

Brechtian Acting, developed by Bertolt Brecht, encourages actors to explore the relationship between the actor and the audience, often breaking the fourth wall to directly address the audience.

The Stanislavski System, developed by Konstantin Stanislavski, emphasizes the actor's ability to create a character's inner life and emotions through the use of subtext and psychological realism.

The Neutral Mask Technique, developed by Jacques Lecoq, encourages actors to explore the physical and emotional aspects of a character through the use of masks and movement.

Laban Movement Analysis, developed by Rudolf Laban, emphasizes the actor's ability to create a character's physicality and movement through the use of specific exercises and training.

Text Analysis, a fundamental aspect of acting, encourages actors to explore the relationship between the actor and the text, often using improvisation and rehearsal to create a unique interpretation of the play.

Laban Movement Analysis, developed by Rudolf Laban, emphasizes the actor's ability to create a character's physicality and movement through the use of specific exercises and training.

Text Analysis, a fundamental aspect of acting, encourages actors to explore the relationship between the actor and the text, often using improvisation and rehearsal to create a unique interpretation of the play.

Text Analysis, a fundamental aspect of acting, encourages actors to explore the relationship between the actor and the text, often using improvisation and rehearsal to create a unique interpretation of the play.

Text Analysis, a fundamental aspect of acting, encourages actors to explore the relationship between the actor and the text, often using improvisation and rehearsal to create a unique interpretation of the play.

Text Analysis, a fundamental aspect of acting, encourages actors to explore the relationship between the actor and the text, often using improvisation and rehearsal to create a unique interpretation of the play.