Kalamandalam Kalyanikutty Amma (1915-1999) is widely regarded as the 'Mother of Mohiniyattam'. She played a pivotal role in reviving and popularizing this art form in the 20th century.

Kalamandalam Gopi (1937-2016) was a renowned Mohiniyattam dancer, choreographer, and teacher. He made significant contributions to the theoretical and practical aspects of the art form, including the development of new dance compositions and the standardization of the Mohiniyattam syllabus.

Kalamandalam Satyabhama (1933-2022) was a renowned Mohiniyattam dancer and teacher. She was known for her expressive eyes, graceful movements, and ability to convey emotions through her dance.

Kalamandalam Hyderali (1936-2018) was a renowned Mohiniyattam dancer, choreographer, and teacher. He was also a scholar and researcher who made significant contributions to the documentation and preservation of Mohiniyattam.

Kalamandalam Gopi (1937-2016) was known for his innovative choreography and contemporary interpretations of Mohiniyattam. He experimented with new themes, music, and movement vocabulary, pushing the boundaries of the art form.

Kalamandalam Satyabhama (1933-2022) was known for her mastery of the 'lasya' (graceful) aspect of Mohiniyattam. Her dance was characterized by its fluidity, elegance, and emotional depth.

Kalamandalam Hyderali (1936-2018) was known for his dynamic and energetic style of Mohiniyattam. His dance was characterized by its vigor, athleticism, and powerful stage presence.

Kalamandalam Hyderali (1936-2018) was considered a leading exponent of the 'tandava' (vigorous) aspect of Mohiniyattam. His dance was characterized by its strength, agility, and masculine energy.

Kalamandalam Satyabhama (1933-2022) was known for her expertise in the 'abhinaya' (expressive) aspect of Mohiniyattam. Her dance was characterized by its emotional depth, nuanced expressions, and ability to convey complex narratives through movement.

Kalamandalam Gopi (1937-2016) was considered a master of the 'nritya' (pure dance) aspect of Mohiniyattam. His dance was characterized by its technical virtuosity, intricate footwork, and rhythmic precision.

Kalamandalam Gopi (1937-2016) played a significant role in the revival and promotion of Mohiniyattam in the international arena. He toured extensively, performing and teaching Mohiniyattam in various countries, and helped to raise awareness of this art form globally.

Kalamandalam Satyabhama (1933-2022) was considered a leading exponent of the 'Mohiniyattam varnam' (a complex dance composition). She was known for her mastery of the intricate rhythmic patterns and expressive movements of the varnam.

Kalamandalam Gopi (1937-2016) was known for his innovative use of props in Mohiniyattam. He incorporated various objects, such as fans, veils, and lamps, into his performances, adding a new dimension to the art form.

Kalamandalam Satyabhama (1933-2022) was considered a leading exponent of the 'Mohiniyattam padam' (a lyrical dance composition). She was known for her ability to convey the emotional depth and poetic nuances of the padam through her dance.

Kalamandalam Gopi (1937-2016) made significant contributions to the development of the 'Mohiniyattam thillana' (a rhythmic dance composition). He experimented with new rhythmic patterns and choreographic structures, pushing the boundaries of this dance form.