In Indian literary narratology, 'rasa' is a central concept that refers to the emotional response or aesthetic experience evoked in the reader by a literary work. It is believed that literature should aim to evoke specific rasas, such as joy, sorrow, anger, and wonder, in order to create a profound and lasting impact on the reader.

Indian narrative style is often characterized by its non-linear and fragmented nature. This style allows for multiple perspectives, flashbacks, and digressions, creating a complex and layered narrative structure. This non-linearity reflects the belief that time and reality are fluid and interconnected, rather than being fixed and linear.

In Indian literary narratology, 'bhava' refers to the emotional state or mood of the characters in a literary work. It is believed that the reader's emotional connection to the characters is essential for creating a powerful and immersive narrative experience. Bhava is often conveyed through the use of vivid imagery, symbolism, and evocative language.

The search for spiritual enlightenment is a recurring theme in Indian literature, reflecting the deep spiritual and philosophical traditions of the Indian subcontinent. This theme is often explored through the journeys of characters who seek to find meaning and purpose in their lives, often through meditation, yoga, or other spiritual practices.

In Indian literary narratology, 'dhvani' is a central concept that refers to the suggestion or implication of meaning beyond the literal level of the text. It is believed that the true meaning of a literary work lies not only in its explicit statements but also in its subtle nuances, ambiguities, and hidden layers of significance. Dhvani is often conveyed through the use of figurative language, symbolism, and allusion.

Indian literary narratology has made significant contributions to the field of narratology, including the development of a non-linear and fragmented narrative style, the emphasis on the emotional response of the reader, and the exploration of the concept of 'rasa'. These contributions have enriched the understanding of narrative techniques and the ways in which literature can engage and impact readers.

In Indian literary narratology, 'alankara' refers to the use of figurative language to create vivid imagery and enhance the aesthetic appeal of a literary work. It encompasses a wide range of techniques, such as similes, metaphors, personification, and hyperbole. Alankaras are believed to add depth and richness to the narrative, making it more engaging and memorable for the reader.

Indian oral narratives are characterized by the use of repetitive structures and formulaic expressions, the incorporation of myths and legends, and the emphasis on didacticism and moral lessons. These features contribute to the preservation and transmission of cultural traditions and values across generations.

In Indian literary narratology, 'riti' refers to the conventions and norms of literary composition, including the use of specific meters, rhyme schemes, and styles. Ritis are believed to provide a framework for literary创作, ensuring that works adhere to certain aesthetic and structural principles.

Indian literature is known for its use of nested narratives or stories within stories, the incorporation of supernatural elements and magical realism, and the exploration of multiple perspectives and viewpoints. These techniques add depth and complexity to the narrative, allowing for a richer and more engaging reading experience.

In Indian literary narratology, 'vakrokti' refers to the use of indirect or oblique language to convey meaning. This technique involves the use of figurative language, irony, and ambiguity to create a deeper and more nuanced understanding of the text. Vakrokti is believed to add complexity and richness to the narrative, challenging the reader to engage with the text on multiple levels.

Indian epic poetry is characterized by the use of elaborate similes and metaphors, the inclusion of lengthy genealogies and historical accounts, and the depiction of larger-than-life heroes and their quests. These features contribute to the grandeur and sweep of the epic narrative, creating a sense of awe and wonder in the reader.

In Indian literary narratology, 'rasa-dhvani' refers to the emotional response evoked in the reader by a literary work. It is believed that the true meaning of a literary work lies not only in its explicit statements but also in its ability to evoke specific emotions and moods in the reader. Rasa-dhvani is often conveyed through the use of figurative language, symbolism, and allusion.

Indian folk tales often explore themes such as the triumph of good over evil, the importance of family and community, and the celebration of nature and the natural world. These themes reflect the cultural values and beliefs of the Indian people and serve to teach moral lessons and provide guidance for living.

In Indian literary narratology, 'anubhava' refers to the personal experience or understanding of a literary work by the reader. It is believed that the true meaning of a literary work is not fixed but rather is shaped by the individual reader's unique perspective and experiences. Anubhava is often influenced by the reader's cultural background, personal beliefs, and life experiences.